Why the restrained style of Danish, Norwegian and Swedish performers is resonating with moviegoers globally.
Nicole Kidman plays a Virginia medical examiner in “Scarpetta,” based on the character created by Patricia Cornwell.
With a big budget and a lot to say, the filmmaker is unleashing her inner monster with “The Bride!”
Maggie Gyllenhaal’s “The Bride!” imagines an empowered mate for the monster. We look back at other memorable cinematic versions.
Jessie Buckley, center, in a scene from “Hamnet.”
Hollywood careers don’t always begin where you expect them to, as Jessie Buckley, Teyana Taylor and Emma Stone could tell you.
Jessie Buckley, center, in a scene from “Hamnet.”
Cillian Murphy in the sequel movie “Peaky Blinders: The Immortal Man,” which jumps ahead to 1940.
A still from “The Stringer,” a documentary film released by Netflix last year.
This month’s picks include the animated feature films that are competing for an Academy Award on March 15.
In the stage versions of two beloved books, the most impressive moments emerge when the productions stray from the source material.
Durald Arkapaw got advice on one of the trickiest elements of “Sinners”: how to shoot the twins played by Michael B. Jordan.
The Morgan Neville-directed film relies on new and archival interviews to cover familiar ground: the years after the Beatles broke up.
Staffers at Film at Lincoln Center keep a list of the incorrect movie titles they’ve heard from patrons. That list is very, very long.
Onscreen and behind the scenes, the movie is about the pursuit of liberation, not just for its characters, but also for filmmaking itself.
A new exhibition in the director’s native Athens showcases his work as a photographer. “I’d like to take a break from making films,” he said. “For now, at least.”
The director Clint Bentley narrates a sequence from his film starring Joel Edgerton.
A surprised Michael B. Jordan accepting the award for “Sinners.”
Emma Stone sported a pastel sweater with a spaghetti-strap dress to match.
The executive producer of the BAFTAs ceremony said that one racist slur was edited from the BBC’s broadcast but that another was missed.