The New York Times film critic Alissa Wilkinson reviews “The Devil Wears Prada 2.”
Meryl Streep in a Balenciaga gown for a scene with Stanley Tucci at a Met Gala-like event.
Patrick Ball, Melissa Barrera, Adrien Brody, Tessa Thompson and Ben Ahlers discuss the demands of live performance as they make their Broadway debuts.
Denis O’Hare and Geena Davis in a scene from “The Boroughs,” executive produced by the creators of “Stranger Things.”
This month’s picks include a queer Belgian comedy, a romantic drama from Korea, an Argentine film about midlife crises and more.
The 2006 comedy is filled with moments big and small that have stood the test of time, thanks in no small part to Meryl Streep’s turn as Miranda Priestly.
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
Technology, history and human lives intersect in Lucrecia Martel’s examination of the death of an Indigenous leader in Argentina.
“Spider-Noir,” an installment of “The Terror” anthology and “Wuthering Heights” arrive, and “Battlestar Galactica” returns.
Michael B. Jordan voices a woodland creature who swaps species with a bird in this middling animated movie on Netflix.
Dean Tavoularis on the set of “The Brink’s Job” in 1978. He received his fifth Academy Award nomination for his work on the film, directed by William Friedkin.
In this sequel, Andy (Anne Hathaway) and Miranda (Meryl Streep) encounter a series of crises that set the stage for a larger, existential catastrophe.
In RZA’s new movie, Unique (Shameik Moore) realizes Black residents in town are being hunted by white men. Despite the premise, the film lacks intensity.
Adam Scott is perfection as a damaged writer battling an ancient witch and his own demons in this hugely enjoyable chiller.
The filmmaker Arnaud Desplechin directed this off-kilter drama about a French pianist and the life he left behind.
Based on a popular anime series, the film, subtitled “Tears of the Azure Sea,” is a satisfactory stand-alone fantasy adventure set on an island resort.
A confusing adaptation of Orwell’s political novel seems blissfully detached from its source’s clarity.
The action director Renny Harlin combines two different kinds of disaster movies, with lots of gory shark scenes.
The actors connected quickly as they prepared to make their Broadway debuts in a new revival of David Auburn’s Pulitzer- and Tony-winning play.
Luis Puenzo in 1987. “It was wonderful, after so many years of censorship and people being afraid to express themselves,” he said, “to stand outside the theater in Buenos Aires and listen to the people coming out of the theater, discussing the movie, arguing among themselves.”