The Roundabout Theater Company will also present Noël Coward’s “Fallen Angels,” starring Rose Byrne and Kelli O’Hara.
Bong Joon Ho has turned his funny-sad excavations of life under capitalism into unlikely blockbusters. With “Mickey 17,” he’s bending a whole new genre.
If fashion is a game, they were playing to win.
The heroine of Rungano Nyoni’s second feature keeps her cool even as she uncovers long-buried family secrets in Zambia.
Simone Ashley (“Bridgerton”) stars as Pia, a talented photographer in London navigating business pressures with her wish for independence in this vivid rom-com.
The author Joan Didion stands on the Panhandle in San Francisco in the late 1960s.
Set in Rome after World War II, this black-and-white feminist film directed by (and starring) Paola Cortellesi tells a nuanced story about domestic abuse.
Atom Egoyan’s latest film, starring Amanda Seyfried as a director of an opera, could only have come from him, in ways both good and bad.
A bully with a baby doll makes life distressing for all.
Based on a true story, this wholesome movie centers on four girls who make it to a worldwide competition in Washington, despite the odds.
A waitress becomes a wrestler in this sports drama, based on the true story of the champion Mildred Burke.
Dave Bautista and Milla Jovovich lack chemistry in this action film, based on a short story by George R.R. Martin.
In Bruno Dumont’s sci-fi farce, an alien conflict disrupts a sleepy French village.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
The final day on a small town baseball field is the setting for a funny, elegiac feature directorial debut.
Millie Bobby Brown as Michelle, with Cosmo (voiced by Alan Tudyk)
Timothée Chalamet and Kylie Jenner paused among the crowd at the Oscars on Sunday night.
Hugh Jackman as P.T. Barnum in the 2017 film “The Greatest Showman.”
The trope of the embattled auteur exerting their will is too tempting for filmmakers to ignore.
Outside a cinema in Paris in January. For the French, a popular idea is that there is a moral obligation to support the arts and to do so somewhere other than at home.