Vince Vaughn plays a restaurant owner who hires Italian grandmothers to cook for him in this corn-filled gabagool.
Was G.W. Pabst (1885-1967) an opportunist, a victim of circumstance, a coward or a solipsistic accommodationist?
The Chinese director shot two decades of footage for his new film, which captures his country in tumult and one woman living through it.
Tim Robinson and Paul Rudd star in the kind of comedy you watch from behind your hands.
This movie musical adaptation of Shakespeare’s star-crossed lovers is no “& Juliet” — that is, it’s no fun.
Jillian Bell’s feature directorial debut centers on a nerdy teenager who hires a stripper for a sexual education, but the movie favors modesty over vulgarity.
In this underbaked slasher film, killer bozos terrorize teens in the American heartland.
Seth Rogen’s cringe-y Hollywood honcho is well-intentioned but ineffectual. The actor’s awkward laugh has never been put to better use.
Josh Hartnett plays a rugged mercenary in an airborne action movie that struggles to stay on course.
The movie offers full-on immersion, or perhaps submersion, in the singer-songwriter’s musical world.
Patricia Clarkson plays the equal pay activist Lilly Ledbetter in this misty-eyed drama.
In a short film and in conversation, the German filmmaker ponders the meaning of freedom, the complacency of peace and the new insecurity from Russia’s war and Donald Trump.
This moment might call for excessive, imaginative Black art that wants to be gobbled up. That’s Ryan Coogler’s new movie. That’s “Cowboy Carter.” Let’s throw in some Kendrick, too.
Hailed on its release as the most troubling French film made in the aftermath of World War II, it returns for a week at Film Forum.
From left, Lorraine Bracco, Susan Sarandon and Brenda Vaccaro at the Plaza Hotel in Manhattan.
Maya Cade at home in Los Angeles. By this time next year, she will be running two companies.
The writer and director Ryan Coogler narrates a sequence from his film.
Few in the film industry understood President Trump’s proposal to impose a 100 percent tariff on movies produced outside the United States.
Cora Sue Collins in about 1934. She appeared in 11 movies that year and another 11 in 1935.
In addition to new Warner and HBO films, the streamer has a treasure trove of Golden Age classics, indie flicks and foreign films. Start with these.